A FEW PARTING THOUGHTS ABOUT WINTER BEFORE SPRING BEGINS (with time -lapse video)

A special edition! A 3 month long Time Lapse video of Morris Park in just one minute! Imagine that, the bulk of winter in just one minute! First we write and reflect, then we watch:

Before Spring Begins

 

Before Spring begins remember that every Spring is different from the last so it makes it difficult to plan for a perfect spring day. That is why it is important to take a Spring Vacation, hopefully one of those days will be that one day we were waiting for, when the weather is balmy and wildflowers are blooming, and we are there to enjoy it. In every region, this Springtime happens at different times of the year, here in Morris Park, Philadelphia, it happens from late March into early May. In the Southeastern Pennsylvania region, April is the special Spring month, mark your calendars!

 

However, before Spring begins, we must experience our winter. We have been seeing a lot of different types of snow, from dry and fluffy to wet and heavy. Some windy storms, drifting and dramatic, to just a heavy fall, creating a quiet cold and white world. And then the ice storms and the old snows crystallizing, becoming  architectural and difficult to transect. Winter becomes increasingly wearisome and monotonous, the cold, the darkness, the ice, the dirty snow piles and the daily slush.

 

Before winter ends, we must do our best to embrace the beauty of even the most challenging conditions, starting with the skies and the winter light-that low sun-how generous it really is to the barren landscape. The old city, with dirty piles of snow and aged buildings is most often basking in a winter’s glow, a light that is kind upon the decrepit brick piles and worn architectural profiles.

Upon the Forest remnants of the city, along with the open parklands, the winter’s sun explores the landscape for us, allowing ours eyes to stretch the distances and see the land before us, the hills and valleys, the details of the topography, the erosion of the landscape along with its deposition, the floodplains and streambeds, the broad rivers, and the vast expanses of flat lands of the coastal plain. The barren lands exposed before us in the winter’s glow undulate with old eroded hills and grand valleys that span thousands of winter’s time. We can look at the land in the winter, and see the hills.

With the ground exposed, there are rocks. And when the snow cover becomes more permanent, the hillsides, clothed in white, reflect an atmosphere that is quintessentially winter, white hillsides, sometimes glistening in the low winter sun, and sometimes barriers to the sunlight, becoming heavy monuments to winter’s dominance in the landscape and the time.

Before winter ends we gain so much aesthetic fulfillment from our appreciation of the trees. Each specimen like an x-ray of itself, the trees lay bare for so many months, like skeletons, except that these are common enough skeletal forms, a good part of the year they are exposed in silhouette, creating an elegant backdrop to the winter season. This is indeed the time to study and enjoy the shape of the trees, to see the inherent patterns of the growth forms, because each species is so distinctive, after awhile, we can distinguish the types of trees from their winter silhouettes, and this is a fun habit and exercise!

 

These silhouetted landscapes  of the winter and the beauty they convey to us, after our own needs are met, provide a sublime beauty, one that we want to embrace and share, to paint and ink, to photograph and relate poetically, the winter forest is that accessible and enchanting, the raw forms of life and shapes, and the stark contrasts of colors, the winter-scape is a silhouette we can grasp and appreciate.

Learning a language is enlightening enough, try learning the language of the trees in our forests; there is that one day when we start to see the exquisite results of our efforts at learning, and we can distinguish them, and the forest is new to us again!

The trees have a universal language of shape and habit, and once we recognize them we can see them everywhere, on the city streets, on lawns, cemeteries, parks and in the forests alongside the road, the trees become ours as we distinguish them and begin to understand them, their habits, habitats, forms and limitations. To see them in winter is so dramatic, because we can really comprehend their growth form and structure, we can appreciate the structure before Spring begins. Seeing a bare forest in the winter is mesmerizing because of its intricacy and raw beauty, with the trees lined up, side-by-side and intermingled, jumbled, the endless branches, twigs, trunks, all of them silhouetted in the winter’s sun, there within we see the beauty of the trees, the winter forest, the winter sun’s light, our eyes can stretch into the landscape, beyond our imaginations, just what we need in the cold relentless winter.

 

Into the landscape and beyond, through that stand of trees caught beautifully in the sunlight, beyond into the sky, past the farm fields and subdivisions, highways and strip-malls, and best of all, the preserved lands and the forgotten ones, we must continue to stretch our vision into and through these forests of continually growing trees. If we keep looking, we will see Spring burst forth eventually from these isolated stands of silhouetted trees, area by area and spot by spot, and below them, we will see the flowers bloom. The sky changes, and the world moves into a different light.

 

And goodbye winter!

Moving right along, it is indeed movie time, all of winter in one minute! So the Ipod touch was set up on a tripod in the Living room window facing the forest-land of Morris Park. This device was in dedicated service with this project and could not be used for anything else. the O-Snap app was used which is very good for time-lapse photography. The app was adjusted to have the camera take a picture every two hours. the night shots were deleted manually, ending with 385 pictures. Take note of the numerous snowfalls exhibited and also notice how the setting sun moves from the left to the right as the axis of the earth changes in relation to it and it sets further and further north on a daily basis.

Also the tripod was bumped a few times very slightly altering the video by Nuage the cat who took great interest in the birds visiting the bird-feeder just outside the window.

Nuage the cat took great interest in the birds just outside the window. A pair of Mourning Doves loved  to rest on the window sill. Here she is next to the tripod staring at the birds.
Nuage the cat took great interest in the birds just outside the window. A pair of Mourning Doves loved to rest on the window sill. Here she is next to the tripod staring at the birds.

By having the birdfeeder and the Ipod on the tripod , not to mention the beautiful forest just outside the window kept us very entertained throughout the long dreary winter days. Enjoy the Video and Happy Spring!

CLICK ON THE LINK BELOW TO EXPERIENCE WINTER IN ONE MINUTE!

http://youtu.be/GByrzVNVDXs

 

HOW TO FEED THE BIRDS

The birds in Morris Park ravage our birdfeeder, which was filled with sunflower seeds. This time-lapse video shows the birds on the afternoon of January 21st, 2014, during a snowstorm.

Cardinal in birdfeeder. www.thesanguineroot.com
Cardinal in birdfeeder. www.thesanguineroot.com
Cardinal in birdfeeder. www.thesanguineroot.com
Cardinal in birdfeeder. www.thesanguineroot.com
Cardinal in birdfeeder. www.thesanguineroot.com
Cardinal in birdfeeder. www.thesanguineroot.com

Photo by Brian Solomon

THE ENGLISH COUNTRYSIDE AND THE JAPANESE GARDEN

IN A NORTHEASTERN AMERICAN PIEDMONT DECIDUOUS UPLAND, URBAN FOREST REMNANT, A JAPANESE GARDEN WAS PLANTED IN THE 1920S AS PART OF A WEST PHILADELPHIA ROWHOUSE DEVELOPMENT.

IMG_7494Here is the site we have been working on all winter. It is a degraded urban forest with a large hole in the canopy.  There is a large Oak log on the ground nearby, indicating this site was shaded by a grand oak tree for a long time, but with few younger native trees around it.  When the Oak tree died, there were plenty of opportunities for invasive shrubs, trees and vines to gain prominence, furthering the deterioration of this site.

Some of these invasives have actually been planted at the edge of the Park in the 1920s.  We found a real estate advertisement for the adjacent rowhouse development in the Philadelphia inquirer, April 1925, describing a “Japanese Garden” being planted at both ends of the property. Being that the development bordered Morris Park, this Japanese Garden was most likely planted in the Park. Also the ad in the Sunday paper described an “english country cottage-style setting”, with “ivy-covered walls here and there”. That must explain the abundance of English Ivy found all along the edges of the Park next to the nearly 90 year old development.

1920s row house development. The last house on the right is Isabelles house.
1920s row house development. The last house on the right is Isabelles house.

It is interesting to note that the houses were built with a theme that invokes a genuine aesthetic ideal. An imagery, constructed in stone, intended to mimick the look of an old ruined castle in the english country-side, one that has been abandoned and left to be covered with vines. The decayed castle on the low hill is surrounded by a rustic village, built by generations of farmers, perhaps descended from the original serfs of the medieval landholding. The cottages of this village have been crudely constructed with many stones that were salvaged from the original construction of the castle and its many walls. These charming cottages are uniquely crafted, some with planters built into the fronts, where flowers bloom in the spring. They are tightly abutting each other, as rowhouses are, and they are old and well worn, many covered in Ivy.

Rarely evoked in architecture since the 1920s, is this romanticism which was embraced by the Arts and Crafts movement, which accentuated hand-made work especially that of a particular vernacular, embodied with a sense-of-place and the passage of time, expressed with local materials and traditions.  The Ivy covered walls, “here and there”, evokes the romanticism that found beauty  in ruins.

Unique houses they are, built together and packaged with  a bundle of sentiments designed to attract buyers who romanticize the past and the picturesque settings associated with it.  It is interesting how the settings of a Japanese garden and the English cottages are brought together in this real-estate venture.  The 1876 Centennial of America took place just 50 years before only three miles away, where a Japanese garden was created (and still exists and flourishes) stirring the imaginations of gardeners across America.

Morris Park, which borders the development was an obvious place to build the Japanese garden, which included a small pond, now dried up.

It is this legacy of the neglected,  abandoned and forgotten Japanese garden that we are dealing with in the context of an invasion of exotic species, grown out of control, looking awful, and tearing down the forest of native trees and shrubs.

 

There is much to be admired in the creation of a sense of place in the built environment, to sell a product to the imaginations of an anticipated customer; there is the sentimental landscape of history that is re-created  with so much interpretation that it becomes historically noteworthy by itself, This development could be a significant historical example in Philadelphia of housing and landscaping developed together to depict the English countryside and a Japanese garden on the same plot. A city neighborhood is built with the charm and picturesque qualities of an old farming village in mind.

Morris Park Road, just two blocks of homes, was completed in 1928.  It is not known exactly what plants were appointed to the Japanese garden, or how long the garden remained tended. A long-time resident recalls the small pond on the site from the 1970s.

The plants that have remained are most likely the plants of Japanese origin that have spread beyond the original site of the garden, and are the ones that have become a problem.

These would include: Japanese Pachysandra (Pachysandra terminalis), Japanese Honeysuckle (Lonicera Japonica), and Japanese privet (Ligustrum japonicum).

While we have no definitive proof of these plants being in the garden, they are very suspect. Also suspect are the many Asian viburnums present on the site and spreading into the woods.

The English Ivy (Hedera helix) that climbs many a tree, along with the wintercreeper vine, the invasive Bishops weed and Vinca (Vinca minor) Vine are all elements found in the landscaping of the housing development, and very likely have been planted in the Japanese garden as well, given their proximity to the original location of the Japanese garden.

The history of the housing development and the Japanese garden is very interesting, and it is fun to guess which plants may have been planted. The vision created by the developers is appealing, and fascinating from the viewpoint of cultural history and the relationship to real-estate history, especially in the city of Philadelphia. One day these houses could be recognized for their historical significance in this regard.

The house and gardens of The Sanguine Root, directly border Morris Park.
The house and gardens of The Sanguine Root, directly border Morris Park.

The gardening and planting legacy left behind has become a problematic issue, being that this housing development was situated next to a fairly intact forest. We know that the forest is best off as itself, and not a compromised and unsettled mass of foreign plants continuously threatening more and more of this original upland deciduous habitat, obviously under stress, due to the  lack of younger trees along its borders, and several holes in the forest canopy.

 

IMG_7491

Isabelle wraps up Japanese Honeysuckle just pulled at our work site, an area infested with this invasive vine, just a few feet from the site of the 1920s Japanese garden.

IMG_7489
Root, Japanese Honeysuckle, Lonicera japonica

Pictured above and below is a large root of the Japanese Honeysuckle vine.

IMG_7490
Japanese Honeysuckle, root

Below is the site we are working on, removing mostly Asian invasive plants once and still planted as ornamentals. After this large Oak tree fell, there was a hole in the canopy with no small trees to fill it in, most likely because the invasives choked out any seedlings that tried to grow. Once the hole was established, the invasives became the dominant life-form, destroying the forest and the habitat it created.

IMG_7493

Our goal has been to reverse the degradation of this specific area of the forest, first by removing the invasives, and to return to the site consistently and continue to remove the invasive seedlings, allowing the existing native seedbank a chance to regain a root-hold. We began this project on just one section of this hole in the canopy, 5 years ago in the fall of 2007, and now there is a mini forest of native trees, shrubs and herbaceous plants that have sprouted on their own and have risen to over ten feet in height with our help keeping out the invasives.

We are now initiating the same process on the other half of this canopy hole, now that we know that the process works and that we can keep up on the maintenence.

 Morris Park, Philadelphia
Morris Park, Philadelphia

All the while as we work on this project over the years, we must remind ourselves of the history behind the invasive introductions that threaten the forest. It is interesting to us how plants have been used by humans to create an atmosphere of nostalgia for the past at the same time creating a garden palette and ground cover that requires little maintenance, all the while selling something. English Ivy , Japanese Pachysandra and Vinca Vine were perfect for covering the barren grounds of a new housing development in the 1920s, but the long-term effects on the environment are problematic and reversing these spreading species in the nearby natural area is a difficult and labor-intensive task we are no where near completing.

When it comes to plants, our society as a whole is reckless and insensitive to the needs of other species, perhaps blinded by a romanticism and love of plants combined with a controlling sensibility over the plant world.  On the flip side to this problem, we as humans can do alot of great restoration to natural areas and our own yards by manipulating the plant world in simple ways such as removing the exotic introductions as much as you can or little by little, and re-introducing the native species. Often times, the native plants will reintroduce themselves!